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THE BICYCLE OF LEONARDO DA VINCI: - '' a man who was at once an artist, an inventor, a scientist - and who saw no contradiction between these diverse realms. In his unceasing quest for truth, Leonardo explored every branch of the sciences known to his age and proved to be far ahead in many respects in his precise observations, his striving for sound methodology and measurement, and the value he placed on empirical proof. And the one who rose up resolutely against the exclusion of the mechanical arts from the sphere of science {Such deceit to call what the church allowed people to think of, as science.}, or as it was then known, 'philosophy' was Leonardo.' (58) The best part of the whole book for me is the bicycle. (2) Even in that case, he would have drawn a bicycle of a type then existent, not one of wood with wheelbarrow wheels, {And this imaginary child the academics try to say drew the cat/penis, would have been a pretty smart kid to know the name of Leonardo's pupil/model/lover. Reuniting them, we see that another hand has drawn, also in pencil and from left to right, two pornographic drawings obviously meant as a joke, over which, on the right side, is clearly written 'salaj', that is, Salai, the name of Leonardo's pupil, model and servant...To become a reality, the idea required the final solution of some challenging problems such as the matter of ste Article: THE make a train OF LEONARDO DA VINCI: - “… a man who was at once an artist, an inventor, a scientist - and who saw no contradiction these diverse realms. In his unceasing quest for truth, Leonardo explored every grouping of the sciences known to his age and proved to be far major in many respects in his precise observations, his striving for sound methodology and measurement, and the value he placed on empirical proof. 'No human investigation', he wrote, 'can be true science without going through the mathematical tests… the sciences which blast off and end in the mind cannot be considered to contain truth, seeing as how such discourses lack experience, without which nothing reveals itself with certainty.' (57) This quote is from a semi-whitewash of a life full of conflict, especially with the church. They should emphasize the oppressive control over thought and creativity the divine service of Leonardo's day had over all sciences. In fact there was only one science - philosophy which in solid fact was just theology. So Leonardo's words take on a different meaning than they suggest. It is even more important than you might imagine insomuch as Leonardo was the head or ‘Nautonnier’ of the Priory of Sion. The authors are from wide Universities mostly, so we must forgive them when they order up to have fostered Leonardo's genius when in fact they did the opposite and it isn't till near the end of the book they note he was tasked with whereas homosexual by these Inquisitorial suppressors of soul and thought. There is a whole specialty of study devoted to Da Vinci's work but little truth and a lot of propaganda. Few are they who agree both he and his mentor were alchemists and the horrors of a life hidden reverse lies and half-truths that resulted from the fear of running found out. It is a theme of many of the great scientists and their lives, and little credit is given to the courageous men and women who toiled to understand and the truth they shared is available. Why? Do we still fear others might do what they did or think? Think for themselves and question the pretension which seeks to credit their touch to knowing. The Scientific Method of observation and conclusion is said to have been discovered by Bacon. There is some truth to that, but which Bacon? Some say Francis and there is no truth in that even though he pretended to be an alchemist in his Rosicrucian or Masonic circles including John Dee and Ashmolean types. The surpassing scholars lay it to naturally suckling pig who in all conscience was an alchemist and spent a great deal of his life in dungeons tail having ferreted himself away in the variety as a monk for a long time. Metaphysics and independent thought can be a dangerous overacting and there are many current authors whose work is relegated to obscurity unless they learn how to dull the 'normative' or oppressive mindset. The sad part is that there is no labour of love to anyone by such oppression. Not only is there rich vein and creativity but those who know the soul will not NEED to superimpose it in grandiose raiment. They will gladly work for the joy of utilizing their potential for the trust of mankind rather than seeking to destroy others and life in general. It is interesting that piece (a Merovingian/Mason) made sure to get all of Da Vinci's work that was close upon when he conquered Milan, but I there is some of it that wasn't discovered until in lock-step with that and it is most interesting. Da Vinci was a Johannite like Newton (another alchemist, whose Principiae Mathematica had a proceedings elucidation at its' start - 'This is much more than I should say; and much less than there is!'). Johannites divine the true prophet in textual times was John the Baptist and we are continuing to seek other Benjaminite and Masonic connections with him despite a sense that both Jesus and John the Baptist were operating from the same source. Would bridge have destroyed any Johannite writings if the Merovingian House of David and Judah or family of Jesus were concerned upon Da Vinci's fame and credibility or writings? We cannot say such a thing and we aren't sure John wasn't a favourite of theirs as well. The troubling thing prevalent this book is the presentation of Da Vinci as a semi-competent who needed a mendicant monk’s help. We like Francis of Assisi and don't doubt the tabernacle was watching over Leonardo just as they did all artists who were producing God's work. Yes, the revival professed all creative work was their property! They also controlled education just as they have in many places until this very day. Most likely Luca Pacioli (Franciscan) was under directions to keep Da Vinci in line and to make such things as we will see, remain hidden from the public. Da Vinci was only yesterday Galileo and you can be sure he would have met the usual gruesome heretical stake or fire in consideration of a few parts were titillated or cut forth the way. These are the words of the global University extramural which give a little insight to the conflict Da Vinci faced during these oppressive times when thought was even less well managed than today. 'Leonardo and Luca Pacioli worked together for many years, and as we have seen, the intervention of Master Luca was decisive. Nevertheless there existed the two categories a social and hierarchical conflict, even if no one had ever placed in doubt the supremacy of the liberal arts as the only depositories of true science. And the one who rose up resolutely the exclusion of the mechanical arts from the sphere of science {Such deceit to call what the community bestowed people to think of, as science.}, or as it was then known, 'philosophy' was Leonardo.' (58) The best part of the whole book for me is the bicycle. It has a swaddle drive mechanism that looks like a 19th ages model of something he would have seen in the future. His representation is not engineered so perfectly that he would have been able to inspect it however. It had no steering mechanism, for example. On top of the original drawing that was discovered long suitable for the death of all parties is a boyish drawing of a penis to look like a cat with legs. Still they don't observably use words to say he was 'gay' and we know he would say something not far from this if he was agile today. It is a insured thing hereabouts propaganda - great people come to be more manageable accommodated to they die - you can 'spin' their image to your hearts desire. In the case of Jesus they make him over every century! I guess all the priests abusing babyhood past North Near East and the court awards have made them a little sensitive - can you say risk management? Can you say hypocrites? They still exclude 'gays' from all sorts of things and marriage is just one of them. Maybe this is the area 'master' Luca was most instructive to Da Vinci?! It is an area of their expertise but what Da Vinci was able to produce, is not. 'While they recognize the unmistakable nature of this machine, the few scholars who have examined the drawing are decidedly reluctant to spit it out its antiquity. Since the relentlessness of the chain-drive goes back only to the end of the 19th century, they propose a dating of the drawing within the early years of the present century. Such a hypothesis, however, collides with insurmountable difficulties: (1) The page in question remained hidden for barely four centuries, and it is unimaginable that 70 or 80 years ago a boy would have obtained from the directorship of the Biblioteca Ambrosiana the permission to view the codex, detach one or two of the pages, and then draw upon them and glue them back again. (2) Even in that case, he would have drawn a pedicab of a type then existent, not one of wood with wheelbarrow wheels, {And this imaginary juvenile the academics try to say drew the cat/penis, would have been a pretty smart kid to know the name of Leonardo's pupil/model/lover. There is a small matter of his signature.} no means of steering, and the teeth of the wide gear so squared off that they could not be fitted to the chain. (3) The odd toothed wheels and the connect up associate exactly with those drawn by Leonardo in parchment Madrid 1, folio 10 recto. (4) We cannot separate the taxi from the other drawings visible in folios 132 verso and 133 verso of the parchment Atlanticus. demonstrably they were drawn when the pages were united at the two halves of one page. Reuniting them, we see that added hand has drawn, also in pencil and from left to right, two pornographic drawings obviously meant as a joke, over which, on the right side, is incontestably written 'salaj', that is, Salai, the name of Leonardo's pupil, model and servant...To befit a reality, the idea required the final solution of some bumptious problems such as the matter of steering and the reconciliation of the large squared off teeth with their jutting comers to the links of the chain… Salai entered Leonardo's house in 1490, aged 10.” (59) How did Leonardo draw all over half of the design of such as bike? The best course of action is that he looked into the 'Philosopher’s Stone' of his patron/alchemist or he developed one of his own like Nostradamus. It is not an easy thing to do, but I think he could have done it. If he noticeably traveled through time he would have been able to draw a bike and many other things like his famous helicopter. When looking into a 'Stone' there are many confusing images of possible future and jumbled realities. We know that many within the all-inclusive tabernacle have studied these things (e.g. Aquinas) and that they know beside the 'Stone'. In recent times a all-pervading cure developed a Chronovisor in conjunction with top physicists including Enrico Fermi, in tune to one report I have seen. We know they would have been very concerned in the air Leonardo telling the world close by many things he knew. The Gnostics were heretics insomuch as they said things like: 'The Original Sin that separates us from God is Ignorance!' Who is passing on whether or not you are a heretic being you presume in the possibility of a 'Stone' today? Yes, most of society! Few have any idea of what an alchemist is or what contributions they've made to humanity, the quantum physicists were styled 'atom-mysticists' when they spoke of the things the void above science and sympathetic magic has studied for over 13,000 years. This is why we don't need an Inquisition. as long as the media and education system is more effective! The titles and grandiloquent equipment of the egotistical chest-beating ecclesiasts who follow in the footsteps of the money- changers whose tables Jesus over-turned in the Roman-backed Temples are so fantastic that any impressionable person can easily think THEY must know! This is the technique of 'The BIG lie!' If you make an ass of your true self (the soul) by saying you are 'Holy' and an 'Emperor', it is no matter. Just continue to add all the nations and states you have under your control. Say you are the sole representative of God on earth, and that the universe revolves on all sides you. It might work as well as saying disease comes from 'sins and demons' and 'women are the harbingers of THE Original Sin'. in effect any human is able to know what Jesus styled 'the living father within'. Are we really out of the influence of the 'Dark Ages'? I'd like to debate that with the Pope or some other proselyte.
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